Stef and Hitch are less interested in skirting into mind-fuck territory, which is fine and well, but in this regard at least, Bloch wins out. So yeah I'm kinda proud of reading these huge number of books (a little thanks to quarantine too.) In the world of adaptations, there are rigorously faithful screen versions of novels (Rosemary's Baby, though one integral scene from Ira Levin's book was cut) and then there are films that depart so radically from the source material, they're adaptations in name only (World War Z). It is these stuffy, antiquated beliefs—this adherence to tradition—that makes Mary a bit unsympathetic as a character. The climactic scene with Bateman running from the cops is pretty unbelievable in the movie, but was much more subdued in the book. This distinction between Mary and Marion shades the way we see her spur-of-the-moment decision to steal $40,000 from a rather skeezy businessman, who insists on dealing in cash so he doesn't have to properly declare his income on his taxes. Stef and Hitch, on the other hand, ratchet up the difficulty of this mad escape attempt by demonstrating just how much Marion hasn't thought her plan through. Granted, she is really only a product of her Midwest, conservative environment (not pointed out specifically by Bloch, but evident when you read the subtext), and in that way we can't wholly blame her for the way she thinks. And now, much like Psycho's narrative, we're switching gears and focusing on Norman Bates. The 100 best Psychological Thriller Movies. All genre movies are available for free on this application. You write: “The movie follows her closely, adds a few details to the character, and generally works harder to get the audience more emotionally invested in her.” Seriously did you really read the book ? As in the film she lives with her younger sister Lila. When Marion agrees to have dinner with him, she does so because he appears so harmless and one hundred percent non-sexual. He again talks about his debts - which now include an ex-wife and alimony - but he has flown down to Phoenix (Marion refers to him having to catch his plane) on the pretext of a business meeting (unlikely, running a hardware store) and it seems bizarre that he would fly all that way just for a couple of hours with her, particuarly if he is trying to save money to pay off all his debts. Much of the dialogue in the book was kept the same way in the film, but there were a couple of differences between the two. For one thing, we don't see her meeting Sam in a hotel room in Phoenix. Menu. Mother is convinced that her nasty son was merely a character in a dream, a boy who in reality died a long time ago. Very good article, I love comparing book and film. Robert Bloch based his most fictional character on 50s Wisconsin killer Ed Gein (who will also be mentioned in our next episode…). In which there is another Books vs. Movies review. Today marks the release of the Wachowski brothers' new film, V for Vendetta. The story of Norman and the fate of Marion Crane are a part of movie history but did you know it was a book first? The book is way deeper and better than the movie. Book Norman's appearance, coupled with his sad, isolated life and blind devotion to his mother elicits scorn and a certain mean-spiritedness in Mary. The book and the film versions of American Psycho have one thing in common, and that’s the controversy that surrounds them. It’s good – I’d recommend it. In the book you get way more involved emotionnaly and closer to Mary. View original. Meanwhile, … Fortunately for her, Sam is willing to comply with her request for a "respectable" Sunday supper at her home, with her sister Lila and a photograph of their dead mother on the mantel. They don't open their narrative, as Bloch does, with Norman reading about a native victory ritual, in which the skin and muscle of a fallen enemy is flayed to reveal the stomach, which is then distended and banged upon like a drum, the gaping mouth of the warrior acting as a resonator. based his most fictional character on 50s Wisconsin killer, (who will also be mentioned in our next episode…), Author Robert Bloch and his history with pulp novels/magazines, The incredible art direction and cinematography that makes the move a classic after 70 years, The cast: Anthony Perkins (Norman Bates,).
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